The Group of women in Mad Men who define an era… all eras

Betty Draper reclines in the tub with a book in S3E10 (The Color Blue). The book is Mary McCarthy’s best-seller The Group, a novel that was banned in Australia, sent a whole ton of critics (I’m looking at you Norman Mailer) into a self-righteous tailspin and stood firm as a best seller in 1963

It was the book everyone read and didn’t want to admit it.

The Guardian’s Elizabeth Day has a great recounting of its reception and importance both then and now.

The Group, about eight Vassar girls navigating New Deal America in 1933, sits alongside The Best of Everything (also a Betty book), Lady Chatterley’s Lover, Valley of the Dolls (coming soon) and others that pop up on the Mad Men Reading List which explore the female world.

It is no surprise that Betty is reading the book though any character in the show has likely read it or will read it at some point in the decade.

Continue reading “The Group of women in Mad Men who define an era… all eras”

The diamond Betty Draper and the sadness inside

It took us a season and change, but ladies and gents, it’s time to dig into some Fitzgerald.

Feels like Gatzby should have made its way into the plot by now, but I’ll take a short story. Let’s do it.

In S2E03 (The Benefactors) Arthur Chase (the hunky young horse rider Betty flirts with played by Gabriel Mann) says to Betty after a day of riding:

“You know the Scott Fitzgerald story “A Diamond as Big as the Ritz?” Her house is a slightly smaller version of my high school, and I realized why she was so happy all the time and she was so angry when she didn’t get what she wanted.”

(Arthur’s talking about his fiancee).

“All girls are like that,” Betty responds.

Classic Betty.

Arthur is sure, as all men are in these situations, he knows what Betty is thinking, and that Better must want him. Betty, Arthur “knows,” is not like that.

Betty snaps back, “You don’t know me.”

Arthur says she’s “so profoundly sad.”

“You’re wrong. I’m grateful.”

LIAR!

Continue reading “The diamond Betty Draper and the sadness inside”

Misogyny, mavens, misconceptions and the typing pool

Throughout Mad Men, books appear that are a direct reflection of characters or the period they live in. There are books characters are reading in which, in a real meta moment, characters feature that are the templates of themselves.

Mad Men is, in essence, a period piece, and props in any period piece are essential. Viewers will turn on a show if a character glances at a digital wristwatch, is leafing through a copy of Game of Thrones or a is wearing a pair of Jordan VIs.

Just check out the list of goofs people spotted if you’re unsure. Gotta respect the how much people care. Heck, I’m one of them, so I ain’t complaining.

Continue reading “Misogyny, mavens, misconceptions and the typing pool”

Bedtime stories, Betty the princess and an error

After delving and diving into D.H. Lawrence in episode three of the first season, we get a quaint bedtime story in episode four read by Betty Draper (January Jones) in her sultry and soothing voice I dare anyone not to drift off into a lovely dream after hearing.

We have, ladies and gents, our first fairy-tale in Mad Men.

“Church bells rang out and the air was full of flying birds.

What a joyous parade it was back at the palace.

No king could command anything finer.”

– Betty (S01E04, New Amsterdam)

Bobby is crashed out and Sally is wrapped in attention as Betty reads the final lines of a story in Nursery Friends From France (translated by Olive Beaupre) in S01E04 (New Amsterdam). One thing, I read the entire book and never found those lines. If anyone knows what nursery rhyme this comes from, I’d love to hear where it came from. I never found those specific lines in the version I read.

Continue reading “Bedtime stories, Betty the princess and an error”

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