BB: Twelfth Night, Act III – (Re)Redux

Artwork - Leigh MacRae
Artwork – Leigh MacRae

“… he is a devil in private brawl,” – Sir Toby Belch, III, iv.

Welcome back Brawlers and Happy New Year!

Let’s keep the party jumping with act III of Twelfth Night!

What’s in store for this act? Probably a lot of things that we would call bullying today. Although if we were to bully anyone, we could do worse than to pick on Malvolio. Seems to me like someone’s a little light on Elizabethan holiday spirit. What better way to send a message than through public humiliation? I can’t think of any.

Turns out we’ve already reprised this podcast back when we were working on our first issue of ‘Zounds! (Which remains me that you can get your copy of issues 1 and 2 here, and that you can send submission for the upcoming Mad King issue here.)

But I’m sure you’ll forgive us as not only is this a particularly rockin’ and raucous episode but it was also our farewell brawl for Brawlers-for-life power couple  “Second” Jay Ovenden and Zoey Baldwin.

So here’s to all the Brawlers out there, near and far.

And to those who cannot be with us, I’ll shotgun an extra bear just for you.


 

Listen to or download the podcast.


Viola (still in disguise as Cesario, of course) is waiting outside of Olivia’s house at the start of act III. She is waiting to be admitted with yet another suit from Orsino and is engaged in a witty exchange by Feste, the clown. The two exchange a bunch of jokes about husbands being fools, words being whored out through misuse and overuse, with some punning about the young Cesario ‘wanting’ a beard thrown in for good measure: The beard she ‘wants’ is attached to Orsino’s face, get it?

While she waits, Andrew Aguecheek and Sir Toby arrive and invite Viola in. Before they can enter, however, Olivia meets with them and is left alone with ‘Cesario.’ Olivia is enraptured by ‘Cesario’ and tries to get him to drop his suit on behalf of wooing for himself. She confesses to the ploy with the ring intended to get Cesario back here but Viola doesn’t bite. Viola says ‘Cesario’ won’t return given that it will be impossible to convince Olivia to love Orsino but Olivia ask that Cesario return anyhow, ‘just in case’ he might be able to convince her somehow…

It seems the Aguecheek saw the whole exchange between Cesario and Olivia in the garden and has decided, at the start of scene 2, that he has no chance with Olivia and should probably just leave. Fabian and Sir Toby convince him that what he needs to do is demonstrate his valour by challenging Cesario to a duel. Sir Toby asks him to write a challenge letter which he will deliver to Cesario. Seems like this is another prank and Sir Aguecheek just another fool. Maria arrives and informs that Malvolio’s all dressed up and ready to make a fool of himself.

Antonio catches up to Sebastian on his way to Illyria in scene 3. Despite the danger to himself, Antonio is moved to help Sebastian. We find out that the reason Antonio is a wanted man is because he stole from Orsino and was recognised in fleeing. He hands Sebastian some money and agrees to meet him at an inn called ‘The Elephant.’

Scene 4 is a monster of a scene, with a lot going on.

As the scene starts, Olivia is waiting impatiently for Malvolio. He arrives dressed as the letter suggested, with his bright yellow stocking, cross-gartered. Olivia immediately assumes he’s lost his mind and ask him to go to bed… which of course he takes as an invitation. He starts quoting bits of the letter as he kisses Olivia’s hand. She, of course, has no idea what the hell he’s talking about.

When Cesario is announced, Olivia asks Maria and Sir Toby to take care of the maddened Malvolio. Malvolio, though, assumes that this is just a test and that he’s supposed to exercise his ‘new authority’ over Sir Toby. They toy with him a bit and when Malvolio walks off, they decide to ties him up and put him in a dark room. Sir Andrew then arrives with his challenge letter. As it is a letter which would betray that Aguecheek is a moron, Sir Toby decides to deliver the challenge to Cesario himself, in his own words.

Olivia and Cesario are in the garden replaying the same scene: Olivia trying to convince Cesario to love her, Cesario trying to convince Olivia to love Orsino. When they take their leave, Sir Toby approaches Cesario and issues Aguecheek’s challenge. Of course, Viola is ignorant of any offense she might have given Aguecheek so she asks Sir Toby to find out what exactly Aguecheek is accusing her of. She asks Fabian about Aguecheek cheek and he describes him as a dangerous and skillful warrior. Sir Toby gives basically the same description of Cesario. While both of the combatants hope the combat will be avoided, Sir Toby manipulates them into it and they are interrupted by Antonio as they draw their swords. He has clearly confused Viola for Sebastian. (The impossible identical twins, remember?)

Moments later, some officers arrive and arrest Antonio. Thinking that he’s speaking with Sebastian, Antonio asks for his money back to bail him out of this mess. Viola denies having the money but offers half of what she has to help him. Antonio is incensed that ‘Sebastian’ has denied him but he is taken away by the guards. Viola slips away with Andrew Aguecheek and the others giving chase.

Cue Benny Hill theme song.

Who will be Zoey and Jay’s successors? You’ll have to listen to act IV to find out.

Sonnet 42 read by Jack Konorska.

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

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BB Redux: Twelfth Night, Act III (and ‘Zounds! update)

“What employment have we here?” – Malvolio, II, v

Yes Brawlers. We haven’t been keeping up with the Brawl of late but there’s a good reason for that:

we’re hard at work putting the finishing touches on the first ever issue of ‘Zounds!!

We’ve just finished corralling and editing all of the submissions and are polishing off our mise en page and design before everything gets sent off to the printer’s. Any day now we can start shipping these babies out to you! (Babies are figurative, shipping is literal.)

We will get back to our recording in the very near future but in the meantime, here’s a little something to tide you over and – for no reason whatsoever – put you in the mood for implausible romance stories. Funny stuff and not a bad cure for the mid-January blues, either.

Listen to or download the podcast.

This is our recording of act III of Twelfth Night which features the voices of three amazing past Brawlers: Zoey Baldwin (Viola, Malvolio), “Second” Jay Ovenden (Feste), and Jay Reid (Sir Toby Belch).

Even though they’ve felt us Jay-less and Zed-less, we love these guys,

You can find the original post and my amazing show notes here, on BardBrawl.com.

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

BB: Twelfth Night, Act III

Artwork - Leigh MacRae
Artwork – Leigh MacRae

“… he is a devil in private brawl,” – Sir Toby Belch, III, iv.

Sir Toby may claim that Andrew Aguecheek is deadly beast behind closed doors and man to man, but we prefer to hold our Brawl in public and en masse!

Welcome back to the Bard Brawl and our latest episode, act III of Twelfth Night!

Listen to or download the podcast.

As it’s been a while, you might also want to revisit our last episode to get into the swing of things.

Apologies for the delay in getting this episode up but a few of the Brawlers have been involved in some moving. Daniel and Stephanie have finally settled into their new place, meaning that “Studio BB” will be back in business shortly to record acts IV and V.

Sadly, this will be the last episode to feature Zoey and Second Jay as they have left Montreal of the California sun. Sad. We wish them all the best and hope they’ll come visit us soon.

Right. Let’s get back into it, shall we?

Viola (still in disguise as Cesario, of course) is waiting outside of Olivia’s house at the start of act III. She is waiting to be admitted with yet another suit from Orsino and is engaged in a witty exchange by Feste, the clown. The two exchange a bunch of jokes about husbands being fools, words being whored out through misuse and overuse, with some punning about the young Cesario ‘wanting’ a beard thrown in for good measure: The beard she ‘wants’ is attached to Orsino’s face, get it?

While she waits, Andrew Aguecheek and Sir Toby arrive and invite Viola in. Before they can enter, however, Olivia meets with them and is left alone with ‘Cesario.’ Olivia is enraptured by ‘Cesario’ and tries to get him to drop his suit on behalf of wooing for himself. She confesses to the ploy with the ring intended to get Cesario back here but Viola doesn’t bite. Viola says ‘Cesario’ won’t return given that it will be impossible to convince Olivia to love Orsino but Olivia ask that Cesario return anyhow, ‘just in case’ he might be able to convince her somehow…

It seems the Aguecheek saw the whole exchange between Cesario and Olivia in the garden and has decided, at the start of scene 2, that he has no chance with Olivia and should probably just leave. Fabian and Sir Toby convince him that what he needs to do is demonstrate his valour by challenging Cesario to a duel. Sir Toby asks him to write a challenge letter which he will deliver to Cesario. Seems like this is another prank and Sir Aguecheek just another fool. Maria arrives and informs that Malvolio’s all dressed up and ready to make a fool of himself.

Antonio catches up to Sebastian on his way to Illyria in scene 3. Despite the danger to himself, Antonio is moved to help Sebastian. We find out that the reason Antonio is a wanted man is because he stole from Orsino and was recognised in fleeing. He hands Sebastian some money and agrees to meet him at an inn called ‘The Elephant.’

Scene 4 is a monster of a scene, with a lot going on.

As the scene starts, Olivia is waiting impatiently for Malvolio. He arrives dressed as the letter suggested, with his bright yellow stocking, cross-gartered. Olivia immediately assumes he’s lost his mind and ask him to go to bed… which of course he takes as an invitation. He starts quoting bits of the letter as he kisses Olivia’s hand. She, of course, has no idea what the hell he’s talking about.

When Cesario is announced, Olivia asks Maria and Sir Toby to take care of the maddened Malvolio. Malvolio, though, assumes that this is just a test and that he’s supposed to exercise his ‘new authority’ over Sir Toby. They toy with him a bit and when Malvolio walks off, they decide to ties him up and put him in a dark room. Sir Andrew then arrives with his challenge letter. As it is a letter which would betray that Aguecheek is a moron, Sir Toby decides to deliver the challenge to Cesario himself, in his own words.

Olivia and Cesario are in the garden replaying the same scene: Olivia trying to convince Cesario to love her, Cesario trying to convince Olivia to love Orsino. When they take their leave, Sir Toby approaches Cesario and issues Aguecheek’s challenge. Of course, Viola is ignorant of any offense she might have given Aguecheek so she asks Sir Toby to find out what exactly Aguecheek is accusing her of. She asks Fabian about Aguecheek cheek and he describes him as a dangerous and skillful warrior. Sir Toby gives basically the same description of Cesario. While both of the combatants hope the combat will be avoided, Sir Toby manipulates them into it and they are interrupted by Antonio as they draw their swords. He has clearly confused Viola for Sebastian. (The impossible identical twins, remember?)

Moments later, some officers arrive and arrest Antonio. Thinking that he’s speaking with Sebastian, Antonio asks for his money back to bail him out of this mess. Viola denies having the money but offers half of what she has to help him. Antonio is incensed that ‘Sebastian’ has denied him but he is taken away by the guards. Viola slips away with Andrew Aguecheek and the others giving chase.

Cue Benny Hill theme song.

Who will be Zoey and Jay’s successors? You’ll have to listen to act IV to find out.

Sonnet 42 read by Jack Konorska.

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

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