Hey Brawlers! It’s finally “next time!”
No, that doesn’t mean a new recording of Titus Andronicus – though we’re hoping to finally get some Brawlers together to get act V out Soon™.
I mean that it’s finally time to find to talk about IDW Publishing‘s comic series Kill Shakespeare again! You know the awesome graphic novel / comic book series created and written by Conor McCreery and Anthony Del Col.
As Daniel pointed out, we’re reading the hella slick “Backstage Edition,” a hardcover edition of all twelve issues of Kill Shakespeare. If you can swing it, I highly recommend picking it up here. May as well pick up the other volumes while you’re at it. And while you’re shopping, why not load up on some Kill Shakespeare t-shirts.
On an unrelated note, Christmas is coming up in a few weeks…
Issue Five: O Coward Conscience
“O coward conscience, how dost thou afflict me!”
– Richard the Third, V.iii
“Thus conscience does make cowards of us all;
And thus the native hue of resolution
Is sicklied o’er with the pale cast of thought,
And enterprises of great pith and moment
With this regard their currents turn awry,
And lose the name of action.”
– Hamlet, III.i
Hamlet’s still confused about what’s going on in issue 5. He’s still convinced that Richard III is a good guy and that Juliet, Othello and the rebels are disruptive elements of the benign king’s just rule. Also, Iago just saved Hamlet’s life so he’s still pretty convinced that Iago’s on his side. Juliet and Othello aren’t buying any of it though. And Othello’s pretty mad, bro.
It’s hard to take Hamlet and Falstaff seriously of course as they’re still walking around in dresses after their getaway in the last issue but what’s Shakespeare without cross-dressing?
Meanwhile, Lady Macbeth and Richard are negotiating. He wants the use of her Black Guard troops but she’s not budging: she’s planning to keep them stationed in her lands. She’s smokin’ hot but Radcliff’s right – she’s trouble for sure.
Hamlet tries to run off in the middle of the night with Iago but Juliet spots him and tells him he’s got to go on alone if he wants to leave. So off he goes and wanders into a walking nightmare. Hamlet sees his father’s image go all zombie undead, pulling at his skin and growing snakes out of his flesh.
That drives him a little nuts but he comes to his senses as he wanders right unto a scene of Don John and Richard’s conies beating up some townsfolk to find out where Hamlet’s hiding. Don John even cuts out Shallow’s tongue and, like a wuss, Hamlet hides in the bushes until they pass.
When Juliet and company arrive in Shrewsbury, they are told not to stick around seeing as the fear of Richard’s men might make someone rat them out. Seems like some good advice.
Finally, Hamlet eventually falls and knocks himself out in the woods trying to run away from Don John and his troops. He’s found by Lysander, Demetrius and Adriana who are on their way to Shrewsbury. Along the way, they drop some truth about their beneficent King Richard.
Characters introduced: Lysander, Demetrius, Adriana
Issue Six: Lend Me Your Ears
“Friends, Romans, countrymen, lend me your ears;
I come to bury Caesar, not to praise him.
The evil that men do lives after them;
The good is oft interred with their bones;
So let it be with Caesar.”
– Julius Caesar, III.ii
Turns out that crazy walking nightmare wasn’t just some bad food but was some sort of spell cast by Lady Macbeth and the weird sisters. (You know, the ones who tell Macbeth he’s be king one day but that Banquo’s kids will take over from him.) In this version, it seems like Lady M’s tapping into their juju to mess with Hamlet (and Skype with Iago, eventually).
In Shrewsbury, Iago’s messing with Othello’s mind by playing nice but “accidentally” saying stuff to set him off. And Juliet and Falstaff find Hamlet sleeping in some stables and guilt him into working the fields to pay for his free lunch.
While they work, Adriana drops some hints to Hamlet who’s totally clueless (Hey dude! Wake up! She wants to “care for thy coat!,” know what I’m saying?) But Hamlet’s too busy being emo Hamlet on account of his being a wuss earlier and not fighting Don John to save the peasant’s tongue.
Elsewhere, King Richard sleeps with Lady Macbeth.
Juliet makes a rousing speech to convince the people of Shrewsbury to join the rebellion against Richard. Rolls a natural 20 on her Diplomacy check. Everyone’s all in!
Ooops! Guess that was a little loud. Seems like Don John and co. hear that, too and now they’ve got the place surrounded and have started beating up on folks!
This time, Hamlet’s ready to throw down though and he clubs a guard in the head. A rumble breaks out and Juliet brains Don John. Even Iago gets in on the action and after they win the fight, beer and food for all.
Oh, and it turns out that Iago’s been serving Lady Macbeth this whole time because he, too, has been hypnotised by her gratuitously giant comic book boobs. (I mean just like Richard, not me. I don’t get hypnotised by cartoon boobs.)
Characters added: no one, but Don John is dead, which is a nice bonus!
Issue Seven: The Play’s The Thing
“[…]I’ll have grounds
More relative than this: the play ‘s the thing
Wherein I’ll catch the conscience of the king.”
– Hamlet, II.ii
So Iago’s been using his own magic to Skype with Lady Macbeth who is totally willing to keep using the promise of her body to get stupid men to do stupid things. This isn’t like real life at all, guys.
It’s Twelfth Night in Shrewsbury (well, everywhere else in England too, I would imagine) and Juliet and company are convinced to stick around for a play staged by Feste and Sir Toby Belch. Or just plain Belch here.
Hamlet finally gets a clue and dances with Adriana but the dance is interrupted by the start of the play. Feste’s asking for an audience member to join them on stage.
Feste: “No, not you. No… Ah, Hamlet. Shadow King. You’ll do. Get your ass up here! Here’s a costume.”
Hamlet” What the hell am I supposed to do?”
Feste: “Oh, it’s just an old play called the Murder of King Hamlet. Errr, I mean,Gonzago. The murder of Gonzago. You get to be the murderer. Fun, right?”
Hamelt: “GAHHHHHHHH!” (Exit stage right, running and screaming)
Feste: “Was it something I said?”
Of course, the Murder of Gonzago mirrors the Mousetrap play in Hamlet. This one retells the story of the murder of Hamlet’s father by his brother Claudius. But the names are different so how did Hamlet figure it out? Must be because he’s always making everything about him.
So where does he end up when he runs off? In a crazy, trippy house of mirrors of course. Could there by some symbolism going on? Anyhow, Juliet’s worried about him so she runs off after him and discovers him going all emo again about his dad. So she confides in him about how her lover Romeo (I’ve heard that name before…) killed himself because he thought she was dead but she was just knocked out by some special totally creepy knock-out juice that made her sleep for 2 days.
Hey wait! I thought Juliet died in R&J? Yup. But she gets saved in this version just before she stabs herself and ends up leading the rebellion.
Then cue full-page image of Juliet and Hamlet on either sides of a wall, all Pyramus and Thisby style, talking through a wall and commiserating.
Characters added: Feste, Sir Toby Belch
Issue Eight: Journeys End in Lovers Meeting
“O mistress mine, where are you roaming?
O, stay and hear; your true love’s coming,
That can sing both high and low:
Trip no further, pretty sweeting;
Journeys end in lovers meeting,
Every wise man’s son doth know.”
– Twelfth Night, II.iii
Hamlet and the others run into Morton. (Not to be confused with this Morton.) He was discovered spying for the rebellion and just barely managed to escape. Falstaff’s had enough of Hamlet’s waffling and declares that it’s time to find Shakespeare and get all this shit fixed.
In the mean time, Iago and Othello are training the resistance militia. Iago is giving some advice on how to beat stronger opponents like Othello. Seems that some of the advice is doing a number on Othello who gets his butt whipped and then walks off. Iago’s doublespeak is starting to twist and turn him and Othello starts his own #guiltfest.
Didn’t he shaft Iago when he passed him over for a promotion? Maybe murdering his wife Desdemona was all his fault and not Iago’s? And maybe Othello’s just a cool blooded killer anyhow?
Hamlet’s standing on his balcony musing about this whole Shadow King stuff when Juliet calls down from below and then climbs up to him. Some more clever R&J reversal. And finally they make out! The next morning, Falstaff, Iago and Hamlet set out towards… somewhere, to find Shakespeare.
Remember how Lady Macbeth was holding the Black Guard in reserve? Yeah, well Richard kinda went behind her back and invited them and their leader Philip the Bastard to join him in fighting the rebels. Pwnd!
Iago and Falstaff are poking fun at Hamlet about this whole Juliet thing when they are accosted along the road by a bunch of well-armed and armoured paladins or holy warriors. They’re not really buying this Shadow King stuff so their leader steps forward and asks Hamlet to prove it.
Who’s their leader? Romeo Montague, much less dead that previously reported.
Characters added: Philip the Bastard, Orsino, Romeo
What happens next? Well, I know but you should probably pick up the graphic novel to find out for yourself. But if you’re willing to wait, we’ll eventually tell you when we cover issues 9 through 12.
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