Welcome Brawlers to another episode of the Bard Brawl!
Next week, pirates. But before we get to that, we’re back with another one of our sonnets podcasts. In this recording, we pick up where we left off with sonnets 18-23.
Listen to or download the podcast.
You’ll remember that sonnets 1-17 were the so-called Procreation sonnets because they were trying to convince a young man to have kids. Seems that didn’t go so well, either because the young man didn’t follow his advice or because the poet decided that human lives are too fleeting.
This means that the sonnets are still being addressed to the same young, at least until we get further along into the sonnet sequence and Shakespeare starts writing about a mysterious (but hot) dark lady who is somehow involved with both men.
I guess that if you want to immortalise someone for all time, nothing does it better than poetry, right?
It’s kind of ironic that no one knows for sure who the hell these sonnets are actually addressed to.
Sonnet 18 (Episode: King Lear, Act V, Read by: Leigh Macrae)
Shall I compare thee to a summer’s day?
Thou art more lovely and more temperate:
Rough winds do shake the darling buds of May,
And summer’s lease hath all too short a date:
Sometime too hot the eye of heaven shines,
And often is his gold complexion dimm’d;
And every fair from fair sometime declines,
By chance or nature’s changing course untrimm’d;
But thy eternal summer shall not fade
Nor lose possession of that fair thou owest;
Nor shall Death brag thou wander’st in his shade,
When in eternal lines to time thou growest:
So long as men can breathe or eyes can see,
So long lives this and this gives life to thee
Argument: The totally predictable thing to do would be to compare to a summer’s day and point out how you’re just as awesome. But actually, that doesn’t work because you are even better than summer could ever be. Here’s what’s wrong with summer: it’s too hot, the winds are too violent and it’s too short. Luckily, thanks to the awesome power of poetry, that won’t happen to your summer (as long as people keep reading these poems).
Sonnet 19: (Episode: King Lear, Act I, Ready by: Kayla Cross)
Devouring Time, blunt thou the lion’s paws,
And make the earth devour her own sweet brood;
Pluck the keen teeth from the fierce tiger’s jaws,
And burn the long-lived phoenix in her blood;
Make glad and sorry seasons as thou fleets,
And do whate’er thou wilt, swift-footed Time,
To the wide world and all her fading sweets;
But I forbid thee one most heinous crime:
O, carve not with thy hours my love’s fair brow,
Nor draw no lines there with thine antique pen;
Him in thy course untainted do allow
For beauty’s pattern to succeeding men.
Yet, do thy worst, old Time: despite thy wrong,
My love shall in my verse ever live young.
Argument: Here’s the deal, Time: feel free to make the lion old, to make the tiger lose his teeth, to kill off the phoenix and everything else in the world. Go ahead and ruin everything. But, Keeps your hands of my beloved! Don’t you dare spoil a single one of their features. In the end though, joke’s on you: they’ll be young forever because I have encased them in poetic carbonite.
Sonnet 20: (Episode: Taming of the Shrew, Act II, Ready by: Melissa Myers)
A woman’s face with Nature’s own hand painted
Hast thou, the master-mistress of my passion;
A woman’s gentle heart, but not acquainted
With shifting change, as is false women’s fashion;
An eye more bright than theirs, less false in rolling,
Gilding the object whereupon it gazeth;
A man in hue, all ‘hues’ in his controlling,
Much steals men’s eyes and women’s souls amazeth.
And for a woman wert thou first created;
Till Nature, as she wrought thee, fell a-doting,
And by addition me of thee defeated,
By adding one thing to my purpose nothing.
But since she prick’d thee out for women’s pleasure,
Mine be thy love and thy love’s use their treasure.
Argument: You have a beautiful woman’s face and a tender woman’s heart – but none of those unpredictable mood swings. You’re also way more faithful and not easily attracted by each passing hottie. In fact, whatever you look at is made better because of it. Both man and women want (to be) you. You were clearly intended to be woman but Nature was so enamoured with your that she decided to give you a penis. So women can use your for sex all they want so long as I can have your love.
Sonnet 21: (Episode: Henry VI part 1, Act II, Read by: Esther Viragh)
So is it not with me as with that Muse
Stirr’d by a painted beauty to his verse,
Who heaven itself for ornament doth use
And every fair with his fair doth rehearse
Making a couplement of proud compare,
With sun and moon, with earth and sea’s rich gems,
With April’s first-born flowers, and all things rare
That heaven’s air in this huge rondure hems.
O’ let me, true in love, but truly write,
And then believe me, my love is as fair
As any mother’s child, though not so bright
As those gold candles fix’d in heaven’s air:
Let them say more than like of hearsay well;
I will not praise that purpose not to sell.
Argument: These other poets see a person with way too much Botox and then pretend like they’re more beautiful than all of the wonders of nature. I’m not going to do that. I’m just going to be honest with you and tell you that my love is very beautiful but there’s no way they (or anyone else) are as beautiful as the stars. Since I’m not trying to impress you or trying to sell you anything, I’m not going to insult your intelligence by feeding you a load of BS.
Sonnet 22: (Episode: Henry IV part 1, Act IV, Read by: Maya Pankalla. And episode: Talking About the Weather…, Read by: Hannah Dorozio)
My glass shall not persuade me I am old,
So long as youth and thou are of one date;
But when in thee time’s furrows I behold,
Then look I death my days should expiate.
For all that beauty that doth cover thee
Is but the seemly raiment of my heart,
Which in thy breast doth live, as thine in me:
How can I then be elder than thou art?
O, therefore, love, be of thyself so wary
As I, not for myself, but for thee will;
Bearing thy heart, which I will keep so chary
As tender nurse her babe from faring ill.
Presume not on thy heart when mine is slain;
Thou gavest me thine, not to give back again.
Argument: I don’t care what my mirror says, I won’t be old as long as you remain young. Once I do see that you are old, then I’ll be ready for my grave. Really though, you look so good and young because I’ve got my ‘love delusion’ goggles on. Until I take them off, there’s no way we’ll be old. So, take care of yourself for my sake. I’ll take care of your heart carefully but don’t expect to ever get it back: it’s mine now, no take-backs.
Sonnet 23: (Episode: Taming of the Shrew, Act I, Read by: Stephanie E.M. Coleman)
As an unperfect actor on the stage
Who with his fear is put besides his part,
Or some fierce thing replete with too much rage,
Whose strength’s abundance weakens his own heart.
So I, for fear of trust, forget to say
The perfect ceremony of love’s rite,
And in mine own love’s strength seem to decay,
O’ercharged with burden of mine own love’s might.
O, let my books be then the eloquence
And dumb presagers of my speaking breast,
Who plead for love and look for recompense
More than that tongue that more hath more express’d.
O, learn to read what silent love hath writ:
To hear with eyes belongs to love’s fine wit.
Argument: I know I sound like a blubbering idiot when we’re together but I swear it’s just that my love for you is so strong that it overwhelms me and I just can’t speak. Kind of like and actor who forgets his lines because they’re nervous or like someone who is so too pissed for words. Instead, I hope that you will read these poems and let them speak for me. Wouldn’t that be an impressive trick – letting your eyes ‘hear’ what a have to say?
Fair warning Brawlers: things are liable to get a little weird next week.
But it probably won’t be any worse than your last family gathering where your drunk uncle hit on your girlfriend before spending the rest of the night trying to kill one of your second cousins
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