The Changeling, by Middleton and Rowley, Directed by David Latham

The National Theatre School of Canada's 'The Changeling,' is playing from February 25th to March 1st, 2014, at the Monument National in Montreal.
The National Theatre School of Canada’s ‘The Changeling,’ is playing from February 25th to March 1st, 2014, at the Monument National in Montreal.

I can hear you now, Brawlers: “The Changeling isn’t a Shakespeare play! Some guys we’ve never even heard of called Middleton and Rowley wrote this one. WTF Bard Brawl?!”

I know. I’m breaking the rule, setting a dangerous precedent, using the might of the Bard Brawl to promote the works of what Daniel we call ‘lesser playwrights!’

But there’s a good reason for that, one I know you’ll understand: we’ve joined the Wolfpack!

Who? These guys?

Can you believe that, once upon a time, these guys were the hottest thing in wrestling?
Can you believe that, once upon a time, these guys were the hottest thing in wrestling?

No, not that Wolfpack, this Wolfpack: Montreal Wolfpack, #WolfMTL.

(They might want to consider this theme music though.)

What is Wolfpack Montreal? In their own words:

Welcome to the pack.

You are a creator.
You are in Montreal .
You are in training.

Wolf has been created to bring together studying Montreal artists from all programs. It is the creation of a pack. A network of artists to share, promote, collaborate and discover the work being created amongst us

We think that’s awesome, awesome enough to get Brawlers Miki Laval, “Mister” Nicholas MacMahon, Daniel J. Rowe and myself out to the premier of The Changeling, a play which isn’t even Shakespeare!

You can check out some great images (and get more information about the play) by checking out the National Theater School of Canada’s website.

Well, maybe there are some Shakespeare connections. Like the fact that he was contemporary of Shakespeare’s and the suggestions that he might have collaborated on a few of Shakespeare’s plays like Timon of Athens. (Heresy! The Bard works alone, inspired by his pure and unattainable muse and does not converse with hacks like Thomas Middleton and William Rowley.)

So, what is this play, anyhow? I’ll give you the Bard Brawl low-down. (So, if you don’t want to know what happens, skip this next bit.)

Beatrice is supposed to marry this nobleman Alonzo de Piracquo. Seems like a nice enough guy, mom certainly likes him (It’s actually dad – Vermandero – in the text). But while at church, Beatrice ran into this other guy, Alsemero, and they completely fall for one another. Totally screwed, right?

Well, turns out that mom has this really ugly servant, de Flores, who Beatrice despises but who is madly in love/lust with Beatrice and would pretty do anything to get with her. So ‘fair, virginal and noble’ Beatrice basically uses him to kill Alonzo de Piracquo. When she then offers to pay him a bunch of cash for the deed, they… work out another arrangement. Gross.

With Alonzo de Pracquo out of the picture, Alsemero and Beatrice are free to get married.

But now for the main event: the wedding night. All good, right? No, there’s a huge problem: Beatrice is no longer a virgin and it seems that Alsemero’s friend Jasperino knows she’s been sleeping with de Flores.

But wouldn’t you know it, Alsemero is actually some sort of alchemist and he has a potion which can allow him to know if a woman is a virgin: when she drinks, she yawns, then has a sneezing fit, then starts to laugh and finally gets depressed.

Luckily for her, Beatrice happens to learn about this beforehand so when he gives her the potion, she just acts her way through the different phases. A whole different meaning to ‘is she faking?’ He buys it for now but she’s afraid he’ll figure it out later so she offers Diaphanta, her waiting woman, a bunch of cash to wear a mask and sleep with her man on her wedding night. Also gross.

because they are afraid that Diaphanta might spill the beans, De Flores and Beatrice conspire to have her killed and set fire to her room. Bang. She gets shot by De Flores and her body burned. It looks like they’re going to get away with it but them Alsemero learns the truth about Alonzo’s death and the messed up shit that’s been going on.

There’s also a subplot where an old, jealous doctor, Dr. Alibius, marries this hot, young woman named Isabella and then keeps her locked away in his asylum where he thinks he won’t have to worry about her having any affairs. Of course, two enterprising young men poses as mental patients and get admitted into the asylum where they are free to try to pursue Isabella. Of course, the doctor has left his servant Lollio in charge of the place in his absence which kind of complicates things. So the two would-be suitors, Franciscus and Antonio, pretend to be nuts and Lillio toys with them, probably because he tries to get with Isabella who doesn’t want anything to do with him.

While all of this is going on, Tomazo, Alonzo de Piracquo’s sister (it’s a brother in the text), has been trying to get to the bottom of her brother’s death. Apparently, Franciscus and Antonio work for Vermandero and because they disappeared right when this business started, they become the two principal suspects.

Tomazo’s about to kill them when Alsemero shows up and explains the whole thing. As he does, Beatrice and de Flores kill themselves so their on their way to hell. Tomzao’s satisfied that justice has been served and, in the end, everybody basically admits that they’re lying, scumbag sinners.

You can also read about the play on Wikipedia. (Just don’t put that in your bibliography, kids!) Or, even better, why not read the damned thing yourself,here, for free? (No charge for the play, but consider buying a copy of ‘Zounds! as a thank you for saving you the legwork?)

We thought that the play was great! (For something which wasn’t The Bard, of course.) If you want to read a review of the play, you can check out what the Montreal Gazette has to say about it. (A good review, in my opinion.)

Here’s the takeaway. It’s $9 for an awesome show put on and acted by a hugely talented and driven group of young theater students who want to make English theater in Montreal a thing again! (You know the type: brilliant and creative young people who got to choose to take drama class instead of being forced into extra chemistry and physics classes in the final years of high school, a situation which is definitely made-up and which has never happened to one or more Bard Brawlers.)

The Changeling is playing until Saturday, March 1 at 3 p.m. at the Monument National, 1182 St-Laurent Blvd. You can get your tickets online at ent-nts.ca. If you are paranoid that theaters secretly use their websites to steal credit card information, you can all them instead at 514-871-2224.

Brawlers, Wolfies: go see this while you have the chance.

Stay in Touch Brawlers (and Wolfies, too)!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

← Back

Thank you for your response. ✨

Some Rounds With ‘Zounds!

Hey Brawlers!

Just wanted to take a minute to remind you that tomorrow night, February 20th, 8pm at Brutopia’s, is the launch party for the Bard Brawl’s first issue of our Shakespeare-inspired ‘Zounds! journal!

There will be door prizes, Bard Brawl shirts and copies of ‘Zounds for sale, and plenty of food and beer!

Feel free to drop by our Facebook event and let us know you’ll be there!

If you’ve been listening along to the show lately, and have been having a hard time getting into the play or wrapping your head around what the hell is actually going on inRomeo and Juliet, then Sparky Sweets, PhD‘s got your back!

Romeo and his homieos!

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

← Back

Thank you for your response. ✨

BB: Romeo and Juliet, Act II

Artwork - Stephanie E.M. Coleman
Artwork – Stephanie E.M. Coleman

(Podcast recorded and produced by Daniel J. Rowe, blog written and edited by Eric Jean)

Welcome back to the Bard Brawl and act II of Romeo and Juliet. I hope your Valentine’s Day story worked out a little better than theirs. Although, really, I guess they did have a pretty bangin’ first date.

Listen to or download the podcast.

Like the first act, act II opens up with a Prologue. Don’t remember this prologue? That’s probably because no one stages it. And why would you? You just finished this blockbuster first act of death threats and teenage lovemaking and Shakespeare wants you to stop to listen to someone tell you about how they need to figure out a way to meet in secret.

Yeah, we figured that since their two families are at war, they might not be so keen to announce they started dating. Thankfully, Shakespeare seems to figure this out because that’s the last of the prologues for this play.

Mercutio and Benvolio spot Romeo sneaking out of Juliet’s house in scene 1 but they must not have realised who’s bedroom he’s sneaking off to because Mercutio tries to get his attention by invoking his ‘love,’ Rosaline. You’d almost get the impression this wasn’t the first time they spotted him sneaking into some girl’s bedroom in the middle of the night. Romeo clearly doesn’t want to be found out and they would much rather make fun of him behind his back so after doing that for a minute or two, they head home to bed.

So here’s the set-up for act II, scene 2, one of the most famous (and totally made up) love scenes in the world:

Having sneaked into the Capulet orchard by jumping the fence, Romeo makes his way to Juliet’s window, which is a little unsettling because he seems to know exactly where that is despite the fact that she lives in a huge estate. While he’s hiding in the bushes (trying to catch a glimpse of her undressing) Juliet walks out onto the balcony. Romeo goes on and on like he’s a hockey announcer providing some sort of play by play for some imagined audience.

Juliet, like Romeo, seems to have a habit of speaking her thoughts aloud which, in this case, happens to work in her favour because Romeo hears her and announces his presence. She’s a little creeped out that he’s here at first but after some blah blah back and forth they agree that the best course of action – and the thing they most want in the world – is to get married.

Tomorrow.

No problem. Romeo tells her to get in touch by 9am and he’ll have worked out a plan.

At the start of scene 3, Friar Laurence is quietly pruning his plants when Romeo barges in, out of breath and babbling on about how he’s in love and that he needs the Friar’s help. The friar’s a little surprised that Romeo so quickly forgot Rosaline, his one true love, and now wants to marry Juliet. He doesn’t seem to have much faith in Romeo’s constancy but he agrees to marry them only because he thinks that this might put an end to the Montague and Capulet feud.

Wait, what? Does he even realize what he’s saying? When has two people marrying ever made warring in-laws kiss and make up? Maybe it will work out this one and only time though.

Romeo’s friends Mercutio and Benvolio as hanging out in the street making fun of Romeo (again) and Tybalt when Romeo runs into them in scene 4. They mock him for ditching them last night and make a bunch of jokes involving penises such as: “then is my pump well flowered.” Juliet’s nurse arrives to meet with Romeo where they discuss the plan to sneak Juliet out of her house: she just needs to tell her folks that she’s stepping out for a quick confession at father Laurence’s. The Elizabethan equivalent of “I’m going to the library to study.” No mother or father would ever doubt that excuse. Brilliant!

Meanwhile, Juliet’s been waiting impatiently for her nurse (who is starting to come off as more of a pimp, really) to come back with news from Romeo. Back and forth between the two of them which seems designed to torture poor Juliet but eventually the nurse spills the beans: head to Friar Laurence’s place where he’ll marry you and you’ll finally get to have sex! And then you’ll get pregnant which is exactly what every 13-year-old wants, right?

In the final scene, Romeo is waiting for Juliet to show up. Friar Laurence tries to get him to chill out a bit, to slow this love train down a little, but when he sees Juliet, he seems ready to get on it himself. (He also wins the creepiest line of the play award for this gem: “Romeo shall thank thee, daughter, for us both.”)

Off they go to get married in secret, like two totally responsible adults who have carefully weighed the pros and cons of their decision and are in no way whatsoever rushing into the mistake of a lifetime.

Can we expect a honeymoon scene in act 3? I sure hope so!

And hey. Buy ‘Zounds! You’ll never regret or forget it.

Enjoy sonnet 43 by the legend, David Kandestin.

Artwork - Stephanie E.M. Coleman
Artwork – Stephanie E.M. Coleman

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

← Back

Thank you for your response. ✨

‘Zounds! Launch Party!

[sennet trumpet within]
[sennet trumpet within]

That’s right, it’s party time!

‘Zounds! is on its way to the printers and just about to be unleashed onto its adoring and expectant public. That would be you, all of the wonderful and amazing people who helped make ‘Zounds! happen by donating to our IndieGoGo campaign, by submitting articles and artwork for the journal, or simply by being nice enough not to mock our epic nerdiness to our faces. (“No, babe. I do not bite my thumb at you but I do bite my thumb. But not at you. Really.”)

To thank every one – and because we feel strongly that Bard without Brawl is a sad affair – we’re throwing a launch party!

Come join us for an evening of Bard and Brews at Brutopia, on Thursday, February 20th, starting at 8pm!

Brutopia Brew Pub - 1219 rue Crescent, Montreal, Quebec H3G 2B1.
Brutopia Brew Pub – 1219 rue Crescent, Montreal, Quebec H3G 2B1.

For all of our faithful podcast listeners, now’s your chance to meet the people behind your favourite voices, such as servant number one, or second senator! And how often do you get to take over this amazing downstairs lounge space and pack it with awesome Shakespeare nerds?

A party space Falstaff would be proud to get drunk in!
A party space Falstaff would be proud to get drunk in!

Of course, we’ll have some copies of ‘Zounds! for sale as well as some other Bard Brawl loot which will no doubt make you the envy of all of your bardic brothers and sisters. There will also be plenty of beer on tap and even some door prizes!

While the journal will normally be selling for $12 an issue, copies will be available for only $10 at the launch party, so you won’t want to miss it.

Hope we’ll see you there!

Hey, while you’re at it, why not let us know you’re coming by visiting our ‘Zounds Launch party Facebook event?

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

← Back

Thank you for your response. ✨

BB: Romeo and Juliet, Act I

You'll have to wait for Bar Scrawler art - they're busy with 'Zounds! right now.
You’ll have to wait for Bar Scrawler art – they’re busy with ‘Zounds! right now.

(Podcast recorded and produced by Daniel J. Rowe, blog written and edited by Eric Jean)

This is one of the big ones, Brawlers: Romeo and Juliet.

Listen to or download the podcast.

Ah, good ol’ “R&J.”

You think you know this play because you read it in Mrs. MacDonald’s grade nine English class and had to write a 500 word essay on ‘why do we have to read Shakespeare.’ You wrote something like:

“We have to read Romeo and Juliet because it’s the greatest love story every written. […] It shows us how my parents are ruining my life with TJ/Cindi because they hate my boyfriend/girlfriend. They should just accept that we are in love and will spend the rest of our lives together living in their basement.”

The end.

After a week and a half of torturing (and being tortured by) the Shakespearean language about ‘Prince of Cats,’ ‘Queen Mab,’ ‘plagues on households’ and ‘purple fountains,” Mrs. MacDonald – because she just wants her suffering to end – gave you your ‘A’ and you moved on to Catcher in the Rye.

But admit it. Deep down, you feel ridiculous for writing those words. I mean, you were 14 or 15 years old. Of course you were naive and stupid. Just like a certain Juliet (almost 14 years old) or a certain Romeo (15 years old) everybody thinks they know. The only decision I could be trusted to make when I was that age was which Nintendo game to rent with my allowance money.

Try this synopsis instead, Mrs. MacDonald: two teenagers with more sexuality than sense are married in secret (and sacrificed on the altar) in order to try to put a stop to the constant feuds and vendettas of the Montagues and Capulets which have been tearing Verona apart for who knows how long. They die, feud ends, mission accomplished.

Don’t believe it? Too cynical? Well, let’s have a look.

Romeo and Juliet opens with a Prologue which tells us that isn’t going to end well. Two kids born from feuding families are going to need to die on order to put the feud to rest. Additional information provided: this play will last approximately 2 hours.

In scene one, Sampson and Gregory, two Capulets, are wandering the streets looking to pick a fight. They spot Abraham and Balthazar, two Montagues, and decide to start swapping insults. Eventually they draw swords but Benvolio (a Montague and Romeo’s friend) shows up and tells them to sheath their sword. Moments later, Tybalt (a Capulet and Juliet’s cousin) arrives. Benvolio asks him to help break up the fight but Tybalt attacks Benvolio and they fight. Soon Lord Capulet and Lord Montague show up and all hell breaks loose until the Prince shows up threatens to kill anybody who doesn’t immediately stop fighting. He asks for the Capulets to follow him and asks the Montagues to come see him later about this brawl. (ding!)

Benvolio fills the lord in on what’s going on and then Lady Montague asks about Romeo. Seems he’s been locking himself up in his room and crying a whole bunch, which we all know never happens with teenagers so something must be up. Eventually Romeo comes on stage. Seems he’s in love with a girl who doesn’t love him back, whatever that feels like. Benvolio, like a good friend, tell him that what he needs to do is to forget about Rosaline. (That’s the name of his one true love, the type of love that there’s no way he will ever have for anyone else, ever, in his lifetime!)

How to forget about Rosaline? Easy. Chase after other girls to sleep with love.

After his meeting with the Prince, Lord Capulet meets up with Paris in scene 2, a young man who’s really interested in marrying Juliet. Dad thinks she’s a little too young and that marrying to early is not a good thing. But, he’s willing to give his blessing is Paris can win her over. Lord Capulet is throwing a big party tonight and he thinks that would be a good opportunity for Juliet and Paris to meet. He gives a list of guests to his illiterate servant and asks him to go invite his other guests.

Coincidentally, Romeo and Benvolio are walking by and the servant asks them to help him read the letter. After the servant leaves, Benvolio gets a great idea: why not crash the party at the house of their mortal enemy?

We finally get to see Juliet in scene 3. She’s with her nurse who is still responsible for helping her get dressed and otherwise taking care of her while mom and dad get plastered with their friends. Lady Capulet comes and asks her daughter about Paris. She seems to like him so she hopes that Juliet will too. Juliet doesn’t seem very interested in the prospect of getting married but mom insists that it’s happening sooner or later so she better get used to the idea.

Benvolio and Romeo have met up with their buddy Mercutio and are headed to the Capulet party in scene 4. Benvolio and Mercutio alternate making fun of their love-sick and depressed friend. Romeo then tells them of a dream he’s had which he thinks is prophetic. Of course, Mercutio mocks him to no end. Romeo insists that he’s got a bad feeling about tonight but on they go to the party.

The final scene of the act takes place in the Capulet mansion. Lord Capulet walks in a makes a bunch of bad jokes about ladies’ corns and dancing – which I am sure they are thought was totally hilarious and tasteful. Of course, Romeo’s here and this is where he first spots Juliet, without realising that she’s a Capulet. He babbles on about beauty and Tybalt over hears him and realises that he’s a Montague. He’s a bout to storm off after him but Lord Capulet stops him: “he’s not a bad kid and he’s not causing any trouble. I don’t want you starting a fight with him in my house.”

Romeo, who doesn’t seem to care one little bit that he came here to see Rosaline (Rosaline who?), starts sweet-talking Juliet and manages to score a couple of kisses from her before she is called away by her mother. Romeo then learns that Juliet is the daughter of Lord Capulet. Time for the Montagues to leave.

As soon as they disappear, Juliet is asking the nurse about Romeo and learns the bad news: he’s a Montague.

I’ll say this for R&J: that’s a hell of an opening act!

While I suspect that many of you Brawlers know this play already, here are some of the key characters who show up in this act:

  • Benvolio: He’s one of Romeo’s buddies and, at least at first, is trying to keep the peace between the Capulets and Montagues.
  • Tybalt: One of Juliet’s cousins, he’s only too happy to look for reasons to fight Montagues.
  • Romeo Montague: Lovesick Romeo starts the play madly ‘in love’ with Rosaline and then, after spotting Juliet once, swears that he’s never loved anyone before. I’m sure he’ll make a great husband.
  • Juliet Capulet: She seems like a level-headed young girl at first but that goes out the window when she meets Romeo. She just can’t get married quickly enough.
  • Lord and Lady Capulet: The rulers of the Capulet family and Juliet’s parents.
  • Lord and Lady Montague: The rulers of the Montague family and Romeo’s parents.
  • Paris: A young, eligible bachelor looking to marry into the Capulet family. The parents like him but he didn’t stand a chance with Juliet.
  • Mercutio: A friend of Romeo’s who has no patience for Romeo’s melancholic self-pity and who sees what Romeo calls love as lust.

Next week: more bad, life-altering decisions made by horny teenagers.

Oh, and happy valentine’s day.

Also, get ready for a big upcoming announcement about ‘Zounds!

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

← Back

Thank you for your response. ✨

Up ↑