Titus & Tamora (simply put: wrath)

The third instalment of ‘Zounds! is coming. The Mad King is destined to be amazing with some great submissions already in. If you would like to be a part of the epic journey along with the Bard Brawlers, click here and check out the submission guidelines. Better yet, buy a previous edition and get the idea of what ‘Zounds! is all about.

Here is an poem from ‘Zounds! Act I, scene ii: T by poet, singer/songwriter, playwrite and overall good guy Andre Simoneau. Enjoy.


Titus & Tamora

(simply put: wrath)

Andre Simoneau

Listen to or download a dramatic reading by Andre.

1.

look:

here is the shape of a tragedy

a violence forged twixt two pillars

two parents

warmother and warfather

queen, general

opposite progenitors of a wrathful legacy

a bloodline most cold

here is a lesson in shape of a massacre:

vengeance begets vengeance

sin sin

and wrath paid is repaid hundredfold

until all this your world is burned flat

in all white raging fire

all burning

all: wrath

2.

look:

enter Andronicus in shape of hero

Tamora shape of slave

bound and kneeling

made to pray for her life’s life

her eldest Alabrus

now see your hero’s slaying pride

his devotion to the form of victory

see the cost of it:

how quickly his stony countenance crumbles to marble dust

leaving naught but a silent taut thread of grief

drawing on to a snap

a sudden hot shock of recognition:

Titus you fool, you lost tragic tool, it was you

and all the wailing in the world

can only be now but a pale shadow of the true torment

in this Roman father’s warring chest

3.

look:

enter Aaron

with a flourish of pure malice

a villain beyond understanding

see the gleeful depravity

with which he schemes

see a murder of shade stretching out long beneath a copse of trees at day’s end

in a darkened wood

on the king’s hunting grounds

and ask:

what is a corpse in a hole?

4.

ask:

what are hands?

tongues?

what is rape?

witness vile Chiron, hateful Demetrius

these feral prowling sons

these cackling Gothic brothers

and ask:

how does this happen?

what evil is this?

what terrible hunger is it that leads beasts to sever youth

from herself?

and where is that burning brink of mind beyond which reason is annihilated

finally, irrevocably?

and just how much of a person may be excised in basest surgery

before they become more lack than presence?

ask:

what is it to touch?

to speak?

to taste?

what is the weight of evil?

what is the worth of life?

5.

look:

see these shapes of violence played out in grotesque dumbshow

by this maimed daughter, haunted Lavinia

and ask:

what is a mouth full of shade?

see her father’s fury in all its pathetic contortions

all its Roman spectacle

see him drunk on wrath’s hateful liquor

and hungry to feed his heart’s despised enemies

on all the roiling gore that stews inside his own gut

his hangman’s knot of twisted entrails

now see the ugliness of the wrathsnake feasting on itself

this is a warning in shape of the blade that

kills Tamora

kills Titus

6.

look:

the shape of revenge is recursion

the shape of revenge is recursion

the shape of revenge is recursion

Poet, singer/songwriter, playwrite and overall good guy Andre Simoneau at the mic.
Poet, singer/songwriter, playwrite and overall good guy Andre Simoneau at the mic.
'Zounds!, Act I, ii
‘Zounds!, Act I, ii

Check out the rest of the amazing writers and artists in ‘Zounds! 

Buy Volume II NOW.


Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!


The Meggings Make the Man

The third instalment of ‘Zounds! is coming. The Mad King is destined to be amazing with some great submissions already in. If you would like to be a part of the epic journey along with the Bard Brawlers, click here and check out the submission guidelines. Better yet, buy a previous edition and get the idea of what ‘Zounds! is all about.

Here is an entry from ‘Zounds! Act I, scene ii: T by fashion writer, designer and artist Stephanie E.M. Coleman. Enjoy.

Artwork - Stephanie E.M. Coleman
Artwork – Stephanie E.M. Coleman

Stephanie E.M. Coleman

Let’s admit we all follow trends.

Hypercolour t-shirts? Yeah man. My armpits were blue and the rest of my shirt was pink, but it was cool. Lipstick pink Juicy Couture velour tracksuits? Hot, in a Paris Hilton kind of way (glittery trucker hat mandatory, of course). Rave pants and soother necklaces? Sweet dude, just don’t forget your angel wings.

These are all lovely memories and everything, but we all hope they remain the stuff of ironic Halloween costumes and nothing more.

Perhaps you shuddered a little like I did when leggings came back in style, around 2005. Gazing at the racks of flimsy legwear at the retail store where I was working at the time, all these memories of lace trimmed white leggings I wore in grade 2 came flooding back to me.

And I was expected to build a wall display with these things?

I mean right in front of me I had evidence that the trends I wore as a kid had now cycled back into the forefront of designers’ minds, which would mean that they were vintage. That was a blow my 23 year old mind had a hard time absorbing, though I’ve since gotten used to the phenomena. (Hedi Slimane’s 2013 ‘grunge’ collection for St. Laurent was the real kicker.) I’m now sort of numbed to any further appropriations.

Anyway.

Fashion trauma aside, it would seem that leggings are here to stay, clinging to the flesh and gripping onto every contour and sinew in all their spandex glory. Printed with skulls or crosses à la Alexander McQueen, classic black, or granny style floral, tights are the ubiquitous fashion non-statement that just won’t quit. Stubbornly resistant to the ebb and flow of fashion, we see them turn up time and again under skirts, shorts and tunics.

Black Milk Clothing leggings (see right) are a favourite of the Bard Brawl and may just appear in the third instalment of ‘Zounds! Yep. That’s the first act of Hamlet on her legs.

Model: Saphia; Photo Credit: Jacques Carrière; Leggings: Black Milk Clothing
Model: Saphia; Photo Credit: Jacques Carrière; Leggings: Black Milk Clothing

Even for men.

Yes, in case you hadn’t heard, ‘meggings’ first appeared on Givenchy’s runway in 2013 with black tights worn under shorts. The look has since become a streetwear trend in Europe and New York, with designers like Rick Owens following suit, er…Spandex. They are even somewhat acceptable worn as ‘pants’ for gals, despite the fact we can see right through them to the polka dots on the wearer’s underpants.

Whatever.

Though I understand the popularity of such a comfortable no brainer garment, I can’t say I agree with such practices – especially the above mentioned “pants impostor” faux pas that assaults the eyes far too often.

Hmmmm…I actually do think meggings are pretty cool though.

Google it.

Before we gasp at the daring of Givenchy’s meggings, we should really take a minute to remember that there is nothing new under the sun. Indeed, a few centuries ago was penned a play featuring a hilarious quandary about a certain pair of yellow tights, cross gartered.

When I first read Act II of Twelfth Night, where Maria writes to Malvolio in the guise of Olivia, urging him to don his ‘yellow stockings, cross-gartered’ and woo her, I couldn’t quite picture the look. It sounded delightful, though. A little research at bardbrawl.com, and I quickly discovered that cross gartered yellow tights were de rigeur in court at the time Twelfth Night was written. Yellow was the ‘It’ colour of the season, and the decorative cross garters were an innovation to hold up the stockings before the advent of our dear friends, Lycra and Spandex. Who knew?

Check it out.

Yellow Stockings, Cross-Gartered

Poor Malvolio. It’s kind of tragic.

He was so excited! I mean, he was taking a real fashion risk and expressing himself and then it blows up in his face. I can just imagine him strutting his stuff, thinking this outfit was really gonna seal the deal with Olivia, while she looks at him like he’s gone mental and all the while Maria and co. are snickering at him from behind the bushes.

You know, I really think Malvolio was hanging out with the wrong crowd. They just weren’t ready for his avant-garde fashion sense. Too insecure.

Hello! I thought this play was supposed to be set in Italy. How far is Illyria from Milan, anyway? I guess it’s a little too far from the fashion capital for anything to trickle down. Like showing up at the Calgary Stampede in meggings, it’s just not going to be well received with this crew.

The truth is we just don’t know how to handle stockinged men. There was a whole Mel Brooks movie mocking it – remember Robin Hood Men in Tights? I do. I may or may not be able to quote the whole thing, which is something I probably shouldn’t admit to. “We’re men, we’re men in tights, we roam around the woods looking for fights….”

Okay enough!!

I do think there is a greater lesson to be learned from Malvolio’s mishap. When you step out and make a bold fashion statement, you become an easy target. Crowds are uncomfortable with the audacious confidence required to try out, say, peplums. So should Malvolio be ashamed, hang his head and exit the stage to Charlie Brown music like that Arrested Development episode? Maybe not. I say wear what you love, what makes your imagination run wild, what inspires you, what tells a story. Hold your head high, and remember you have Bill Cunningham on your side!

In the end, I think Malvolio had the last laugh. What started as sabotage turned into a sartorial mainstay.

For real, let me know when everyone has stopped wearing leggings for good. I doubt that day will come anytime soon.


 

'Zounds!, Act I, ii
‘Zounds!, Act I, ii

 

 

Check out the rest of the amazing writers and artists in ‘Zounds! 

Buy Volume II NOW.

 

 

 


Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

The Bard Brawl is currently accepting submissions to the third edition of ‘Zounds! a Bard Brawl Journal. 

Join us.

Artwork - Stephanie E.M. Coleman
Artwork – Stephanie E.M. Coleman

 

For the third instalment of the greatest English Renaissance themed journal in the history of the universe we have chosen a theme inspired by the halls of power corrupted by ambition, greed, vengeance and sometimes straight up psychological trauma:

madking

“O! let me not be mad, not mad, sweet heaven;
Keep me in temper; I would not be mad!”
– King Lear, 1.5.51

 

William Shakespeare’s work is littered by the acts of mad kings. The most obvious example to use as inspiration is Lear, but scratch the surface of Richard III, Richard II, Henry IV, John, Leontes and many more and one can always find a little of the crazy.

Be as literal or as abstract as you like, but always be brawly.

As a bonus, ‘Zounds! is running its first ever writing and art contest in this edition.


It is highly recommended that you pick up a past copy of ‘Zounds! to get an idea of the type of material we print. You can order a copy here.


Email your best creative non-fiction, fiction, artwork or poetry submissions to bardbrawl@gmail.com

Use high resolution JPEGs for artwork.


Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

‘Zounds! scene two availabe

Greetings Bard Brawlers.

For those eagerly awaiting the arrival of Act III of Richard II, fear not; it will soon ring out on podcast speakers around the globe.

In the meantime, you can purchase the journal that has occupied so much of our lives for the past month as ‘Zounds! Act I, scene ii is now available:

Click the button and let 'Zounds! be yours.
Click the button and let ‘Zounds! be yours.

Special thanks to the staff at Brutopia for hosting the launch, and to Andre Simoneau and Brendt Thomas Diabo for playing.

Brendt Thomas Diabo playing the 'Zounds Launch.
Brendt Thomas Diabo playing the ‘Zounds Launch.
CCCCEO Eric Jean going over the finer points of Shakespeare
CCCCEO Eric Jean going over the finer points of Shakespeare
Poet and singer/songwriter Andre Simoneau takes the mic
Poet and singer/songwriter Andre Simoneau takes the mic
'Zounds! scene ii described by someone as "the greatest follow up to anything anywhere since Italy's 1938 World Cup run."
‘Zounds! scene ii described by someone as “the greatest follow up to anything anywhere since Italy’s 1938 World Cup run.”
Matching and dashing are Brawlers Jay Reid and Amrit Sanger.
Matching and dashing are Brawlers Jay Reid and Amrit Sanger.

 

Brutopia Brew Pub - 1219 rue Crescent, Montreal, Quebec H3G 2B1.
Brutopia Brew Pub – 1219 rue Crescent, Montreal, Quebec H3G 2B1.

Launch Party – ‘Zounds! Act I, Scene ii: “T”

Brutopia Brew Pub - 1219 rue Crescent, Montreal, Quebec H3G 2B1.
Brutopia Brew Pub – 1219 rue Crescent, Montreal, Quebec H3G 2B1.

It’s been a few months since the last time the Bard Brawl threw a brew pub bash but the wait is finally over!

We’ve got something to celebrate: the latest issue of ‘Zounds!, which we’ve called Act I, Scene ii: T, is finally ready to be unleashed upon the world!

We want you to come get your Bard on with us at Brutopia, on Thursday, July 10th, starting at 8pm!

You know the place. Looks kind of like this but rowdier!

A party space Falstaff would be proud to get drunk in!
The only thing missing in this picture is you, beer and ‘Zounds!

Once again, we’ll be offering copies of the latest issue of ‘Zounds! for a special Brawler price of $10 each for anyone in attendance.

We’ve also upped our game this time and in addition to some great ‘Zounds! readings, Brendt Thomas Diabo will provide some awesome live drinking music!

If you’re planning to come by – or would like to but can’t because you’re busy working on your pick-up monologues – why not swing by our Facebook Event page and let us know? And while you’re there, why not spread the word? We’d really appreciate it!

Hope we’ll see you there!

Stay in Touch Brawlers!

Follow @TheBardBrawl on Twitter.

Like our Facebook page.

Email the Bard Brawl at bardbrawl@gmail.com

Subscribe to the podcast on iTunes

Or leave us a comment right here!

‘Zounds!, It’s Just Around the Corner!

Artwork - Stephanie E.M. Coleman
Artwork – Stephanie E.M. Coleman

Hi Brawlers!

Just thought we’d let you know that we’re sorry things have been a little slow with the podcast of late but that we’ll be back with the last three acts of Richard II soon.

I’m sure you’ll forgive us when you find out why though: we’ve been hard at work on the next issue of ‘Zounds!

Exciting, right? The submissions are in (and they’re awesome!) and we’re just putting the final touches on everything so we’ll be ready to launch in the next couple of weeks!

We’ll let you know where the party’s at – and where you can get your 2nd issue of ‘Zounds! – as soon as we’re ready to launch!

Stay tuned for more news in the new few days!

But hey, while you wait for the next issue to come out, why not catch up on your reading by getting your hands on our previous issue of ‘Zounds: Act I, scene i: one to seventeen?

Submissions open for ‘Zounds!, Act I, Scene 2

Artwork - Stephanie E.M. Coleman
Artwork – Stephanie E.M. Coleman

The Bard Brawlers are getting ready to put together the second scene of ‘Zounds!, a Bard Brawl journal.

The theme is ‘T.’

T as in Timon, Troilus, Tyrell, Tybalt, theme, tights, Titus, throne, taming, truncheon, thane, tempests, tragedy.

You get the idea.

Those wanting to submit an article, poem, short story, creative short fiction piece, drawing, photo, or anything else Shakespeare related can send us an email at bardbrawl@gmail.com.

To get a better idea of what we’re looking for, please order our inaugural journal One to Seventeen.

 

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