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Welcome back Brawlers to Act III of The Comedy of Errors.
This week we talk proto-feminists, servitude and abuse. And yes, this is somehow still a comedy and this is all very funny, right?
First, we take a look at our twinned servants as they face off in a battle of words to gain access to Antipholus of Ephesus’ house. Dromio of Syracuse and his master are inside Antipholus of Ephesus’ house, but the rightful master has been locked outside while his wife thinks the wrong Antipholus is her husband.
While this is happening, Antipholus of Syracuse is inside the house macking on ‘his’ wife’s sister, Luciana. She’s freaked out that he brother-in-law is creeping on her and keeps trying to get Antipholus of Syracuse to act like a proper husband. (In this case, like Antipholus of Ephesus.)
I guess it’s kind of reassuring to think that Antipholus of E. might be a pretty decent husband because Adriana deserves it. She and her sister certainly put up with a lot of crap throughout the play for the sake of these two Antipholuses. (Antipholii? Whatever.)
After being brushed off by Luciana, and being forced to play husband to Adriana, Antipholus of Syracuse again describes the city of Ephesus as some sort of dangerous magical place filled with witches and mermaids.
That’s some pretty strongly gendered language for a play in which two sets of men spend all of their time confusing the hell out of all the women around them.
So feel free to follow along!
Act III, i (31-85): “Maud, Bridget, Marian, Cicel, Gillian, Ginn!”
Act III, ii (1-69): “And may it be that you have quite forgot”
Act III, ii (116-124): “There’s none but witches do inhabit here”
Have a listen and tell us what you think of our twinned twins! Tune in next week for Act IV!
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